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Support Material




Previous work


Emma Lyn Winkler, Deathbed (2025), oil and spray paint on canvas, chain and brass locks, 210 x 129 cm Neve Curnow, Angel Glass (2025), screenprinted glass, wood block. Neve Curnow, Hope Immortelle (2025), lead light, sheep bones and chain, dimensions variable. Emma Lyn Winkler, Buried Alive (2025), oil painting and glazed ceramics. Neve Curnow & Emma Lyn Winkler, What Remains (2025), installation at Sawtooth ARI. Emma Lyn Winkler, Blind Spot (2026), oil and spray paint on canvas, chain and brass locks, 210 x 129 cm


Video work


Indicative Images

Key terms diagram: No Such Luck Neve Curnow,


CVs


Neve Curnow

Emma Lyn Winkler


Timeline


MONTH 1: Research and Development
  • Deepen research into horror tropes, optical illusions, visual games, etc.
  • Source and collect materials for experimentation
  • Plan and sketch initial ideas for each medium and multimedia combinations

MONTH 2: Material Experimentation
  • Conduct small-scale multimedia and zoetrope experiments
  • Document tests and refine  
  • Develop detailed storyboard for stop-motion animation

MONTH 3: Drafts and Tests
  • Create detailed plans for final hybrid works and zoetrope 
  • Build props and set elements for stop-motion video
  • Test interactions between physical works and moving image (projections, shadowplay)
  • Create digital animation draft
  • Finalise script and animation tests
  • Seek feedback - invite friends and mentors to studio space

MONTHS 4–5: Major Production Phase
Video work:
  • Animate stop-motion
  • Shoot live-action elements
  • Edit footage

Multimedia works:
  • Construct full-scale hybrid works and zoetrope
  • Integrate video projections and any other exterior elements

MONTH 6: Refining and Installation Testing
  • Final video editing and sound design
  • Final refinements to sculptural and multimedia works
  • Test installation: lighting, AV integration, interactivity, zoetrope mechanism
  • Photography and documentation of finished works